Bottom line: The current American version of David Fincher is much better than anyone the original Swedish trilogy films - but also is not enough focus. Everything is much more flowing and interesting in the current version - and yet, it is not a thriller thrilling (and not because I already knew what was going to be) the truth - I was surprised. "Girl sister tattoos with the Dragon Tattoo" director like Fincher provides sister tattoos quite a few opportunities to return to the brutal film "Fight Club" (and a reminder, Swedish original name of the book / movie is "Men Who Hate Women") - but "Girl With the Dragon Tattoo" is almost sister tattoos milky film this aspect. True, the rape scene is the hardest yet, but Fincher makes it an interesting choice - it also shows it, but he also goes to the back door so as not to seem all. Somehow Lisbeth Salandr behavior and its motives much more clear to this film (even with the presence of Rooney Mara lot more Komonkitibit Nomi rufus). And most surprising - David Fincher is a director with moments of surprising tenderness. He uses them sparingly indeed, sister tattoos but still - his previous film, "The Social sister tattoos Network," the most beautiful moment in my opinion was the final scene. In the film details the elaborate multi of that scene was simple, modest, and exciting. Fincher's new film could excite me twice. And each time come the end of the story. Maybe Fincher makes train terminals. sister tattoos The thing about this film he tells essentially two stories: the story of one frame is the journalist published an unflattering investigative reporter for a large company. The film begins with a pseudo journalist in the libel. This story will end only end another story occupies the major part of the film - the story of Miss investigation of a young girl about 40 years ago. The connection between these stories seem loose to non-existent, so Scshmgia main story to the end, the film continues for another 20 minutes extra in my opinion, to solve the story from the beginning of the film. I did not feel that Fincher was able to tie these two stories in some thread on the connection, including during the film I felt that Fincher works by the book, without really giving it a personal interpretation. Technically it is of course excellent, but the film an interesting non-gaining did not have any insight, do not hold me in suspense and fascinates me enough. There may be one thing but I did see the film and the film itself.
Investigation. Picture and another picture. Tape the base of the cinema, indoor cinema Birthday in a series of still images (of a horse, by the way) that create the illusion of movement. No small part of the investigation concentrates on trying to understand the compromising of a series of images. Once a beautiful movie hero of the story runs on his computer the particular event stills one after another quickly, and it looks like running an old movie on a screen. Also, there is the obsession to explore the images, the details in the image, and whoever shoots. sister tattoos Every subject has a beautiful exploration of the nature of cinema itself Fincher, a filmmaker and accuracy required sister tattoos in the design of the frame and control information in it. Too bad it is not formulated out of a broader statement about the film. The two heroes of the film (The Girl with the Dragon Tattoo and investigative journalist) meet only the middle film about, and so their stories are submitted editing parallel, passing sister tattoos a lot smoother than the original version, but its background (the abuse she passes) and background (journalist convicted of libel and lying too time with his magazine editor) does not really sister tattoos affect the relationship between them, then the movie is not an interesting, but it does not really hold drama. And yet something sister tattoos pinched me in the end. I would say that David Fincher is a director allergic to excite, but it still leaves him. Sparingly, really, sister tattoos really drop, but still. Interesting to see this movie as part of the evolution of the director, but as a work in itself is a film efficient, if not particularly flashy. Ethan Weits Eithanwe@012.net.il Thank you for coming and read. I'd love to host you again on my blog at: Eithan.co.il
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December 2011 Sun Mon Tue Wed Thu Fri Sat November and January 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Recent Entries Summary 2013: was Towards 2014 a good year for Israeli cinema: I dove towards the 2014 Israeli cinema: a good death towards the 2014 Israeli cinema: Screw towards 2014 Israeli cinema: Tobiansky Twitter Operation "seeds" - Movie Year of Avigdor Lieberman. And it's sister tattoos ridiculous as it sounds. 5 hours ago a serious blow to the head. much too serious (Watching 12 Years a Slave) gomiso.com/m/12-years-as ... 4 days ago beautiful! (Watching The Secret Life of Walter Mitty) gomiso.com / m / the-secret-l ... 5 days ago Follow @ eithanwe Recent Comments Zvika on August Osage County: every man for himself disabilities on towards the 2014 Israeli cinema: Shoshana center forward Lavie on the story of a film of one line Galit Diamant on towards the 2014 Israeli cinema: sister tattoos Rising Uri first leap towards sister tattoos 2014 on Israeli cinema: a leap owners to follow the blog by email
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